| Arch of the Argentarii | Home Up to Rome |
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| Photos of
the Arch of the Argentarii, Rome by William Storage and Laura Maish Email us about this page |
See also: Septimius Severus portraits Caracalla portraits Geta portraits Plautilla portraits Arch of Septimius Severus |
| Below are a few
photos from the so-called Arch of the Argentarii - which might be more
accurately called Porta Argentarorium - in Rome's Forum Boarium. Someday
I'll get some shots of the entire structure, which appears to be
travertine faced in marble. The photos below show details of the piers,
revealing heavy-handed erasures of people who fell from political grace
in the era of Caracalla (Antoninus). IMP CAES M AURELIO ANTONINO PIO FELICI AUG TRIB POTEST VII COS ET P SEPTIMIO GETAE NOBILISSIMO CAESARI ET and now reads: IMP CAES M AURELIO ANTONINO PIO FELICI AUG TRIB POTEST VII COS III P P PROCOS FORTISSIMO FELICISSIMOQUE PRINCIPI The appearance of "COS III" in the rewrite tells us that it dates to Caracalla's third consul, a period from 208 to 213 CE, thus it was likely modified shortly after Geta's death. Photo 2 shows the awkward recarving of Julia Domna's left hand, which was originally obscured by Geta, who likely also originally held a patera in his hand, which would have crossed in front of Julia, to participate in the action at the altar. Photos 2 and 3, the western pier, show young Caracalla, who no doubt was once accompanied by his wife Plautilla, and probably her father, Plautianus, both carved away leaving a rough surface. References to Plautilla and Plautianus in the original inscription, ...et Fulviae Plautillae... replaced by the insertion of a reference to Julia as mater senatus et patriae. Caracalla had maintained during his fathers life that Plautilla and Plautianus conspired to have Septimius assassinated, and, upon his father's death, ordered their executions. He also claimed that his brother Geta plotted to murder him, thus the memories of all three were thoroughly cleansed from Rome during Caracalla's reign. While history - in particular, the Historia Augusta - portrays Geta as an innocent victim and Caracalla as a megalomaniac, it appears likely that Caracalla's concerns about Plautianus were justified, and that Geta may have also had murderous intentions. |
| Copyright 2007 Bill Storage and Laura Maish. Created 11/2/2007 |
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