Imperial Portraits of Caracalla


 

 

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Caracalla
was

Preceded by (and son of) Septimius Severus

Succeeded by Macrinus

Co-emperor with (and brother of) Geta

Husband of Plautilla

  Photos by William Storage and Laura Maish
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Born Lucius Septimius Bassianus. As Roman emperor (211-217 CE.), Imperator Caesar Marcus Aurelius Antoninus Augustus. Other titles included Britannicus, Parthicus, Arabicus, Germanicus, and Adiabenicus Maximus. Caracalla is a nickname not used by the emperor. It is thought to refer to a hooded cloak that he made popular.

Caracalla succeeded his father, Septimius Severus, co-reigned with his brother, Geta, and preceded Macrinus.

Most of the heads shown here are typically classified as Types 4 and 5 Caracalla portraits, characterized by a rather rectangular face and block-like cranium, along with a sharp turn of the head, usually to the left. Also, exaggerated musculature of the forehead combined with pronounced naso-labial folds give the appearance of an X running through the center of his face. Also shown are juvenile portraits that bear an obvious and intentional similarity to the child portraits of Marcus Aurelius.

The unknown sculptor responsible for most of these images, often dubbed "the Caracalla master" developed a style that was imitated by those creating portraits of many subsequent emperors. To the visually illiterate, i.e., modern viewers, the portraits reveal a cruel and almost deranged ruler. The portraits have no doubt contributed to modern - and perhaps even ancient (e.g. the Historia Augusta - part history, part fiction) - biographies that paint Caracalla as the epitome of the Roman barbarism that would be cured, in some interpretations of history, by the later introduction of Christianity. Caracalla's political record is, however, not totally consistent with his bad reputation. Caracalla, with all his executions, killed fewer family members than Constantine the Great, who is viewed much more kindly by history. The scowl and suspicious glance worn by Caracalla in these images was, among other things, a nod to the army, who had put his father, Septimius Severus, on the throne and kept him there for two decades, and a show of military strength from Caracalla, who became commander in chief at a relatively young age after Severus's death. Regardless of your assessment of Caracalla (whose reputation seems to warrant reevaluation) you cannot deny the mastery of his sculptor.

            Large images
 


 

Met inv. 40.11.1a.

Met. inv. 1989.281.80.

Museo Capitolino Montemartini, inv. 2310.

Capitoline inv. 2310.

Caracalla - or possibly Geta -Museo Capitolino

Capitoline Museum

Museo Capitolino Montemartini, inv. 2310.

Type 1 Caracalla from House of the Vestals in the Roman Forum.
Museo Nazionale Romano, Terme di Diocleziano.

Terme di Diocleziano

Terme di Diocleziano

Palazzo Massimo, Rome.

Palazzo Massimo, Rome.

Museo Archeologico Nazionale di Napoli bust 1

Museo Archeologico Nazionale di Napoli bust 2

Napoli bust 2

Naples bust 2

Museo Nazionale Romano, Octagonal Hall.

Octagonal Hall

Portrait of Caracalla from Hadrian's Villa, Tivoli.
Museo Nazionale Romano, Palazzo Massimo.

Head from Via Casia, Rome.
Museo Nazionale Romano, Palazzo Massimo.

Palazzo Massimo
 

Palazzo Massimo

Marble portrait of Caracalla (type 4 - the Tivoli type).
Metropolitan Museum of Art, inv. 40.11.1a.

Met inv. 40.11.1a.

Met inv. 40.11.1a.

Met inv. 40.11.1a.

Met inv. 40.11.1a.

Fragmentary bronze portrait -
Metropolitan Museum of Art,  inv. 1989.281.80.

Met. inv. 1989.281.80.

Vatican Museum - Gallery of Busts
 

Vatican Museum - Galleria dei Busti
 


Topic: Roman Imperial Portraiture
Keywords: Caracalla, Severus, Bassianus, Marcus Aurelius Antoninus, Rome, ancient, museum, emperor, sculpture, imperial portraiture, art history, Vatican, Capitolino, Massimo, Naples, archaeology, Bill Storage

Copyright 2007 William Storage and Laura Maish. Updated 10/18/2007